- Insiders Profile -
Founder of Estúdio Omer Gilony
There’s a deeply nostalgic and cinematic quality to the world imagined by Omer Gilony. Somewhere between set design, floristry, decorative table art, and storytelling, her work transforms spaces into immersive emotional experiences, layered with history, texture, symbolism, and an almost theatrical attention to detail.
Based in Lisbon, Omer has developed a singular visual language shaped by art history, craftsmanship, travel, and a fascination for objects carrying memory and soul. From intimate dinners to large-scale creative productions, every project feels like stepping into a carefully curated universe suspended in time.
The artist recently opened Estúdio Omer Gilony, her first physical studio space in Lisbon, a place dedicated to creation, research, sourcing, and artistic experimentation. We spoke with Omer about curated nostalgia, storytelling through objects, Lisbon’s creative energy, and the emotional power of gathering around a table.
◆ What inspired you to start your journey in the world of creative direction, scenography, and visual storytelling?
It all began with floristry. I was experimenting and playing with flowers from my teenage years. I fell in love with the art de la table, and it naturally evolved into tablescaping and scenography. Storytelling became an important part of my work as I began experimenting more and more with events and social media.
Being able to translate a feeling, a concept, or a story into a visual language is a fundamental part of my work. I create with intention. It is really important to me that my work and designs are not just aesthetically pleasing but also tell a story—something bigger and meaningful.
◆ If you had to describe Estúdio Omer Gilony in just three words, what would they be?
Hosting. Home. Signature.
◆ Your universe feels deeply nostalgic, cinematic, and emotional. What are some of the main inspirations shaping your aesthetic today?
History has always been a major source of inspiration, as well as nature and my surroundings. I have great respect for the locations and venues I work in, and I always draw inspiration from them. I try to be mindful of their stories and the concepts behind them. At this point, I feel I have built a signature style with strong Baroque and Romanticism influences—something beautiful yet imperfect. Organic shapes, fluidity, and emotion are central to my work.
I am quite a nostalgic person. I often think about my future self and wonder what moments she will miss. Because of that, I try to be especially grateful and appreciative of the moments I am living now. I suppose that feeling finds its way into my work as well. I want people to feel something and remember something. I want them to relate, to feel part of the creation, and to connect it to a memory or realization of their own.
◆ You officially opened your studio last month. What does this new chapter represent for you personally and creatively?
I finally get to host in my own space and provide my team and myself with an environment that inspires us every day. It is a place I am proud to welcome clients and collaborators into, a space that permanently reflects my vision and aesthetic. I also hope it will open doors to new areas within the design world, whether interior design, decoration, or larger hospitality projects. More than anything, it is a space that allows me to dream bigger and differently.
◆ Lisbon seems to have played an important role in the evolution of your aesthetic. What has the city brought to your creative language?
Lisbon taught me to appreciate beauty in imperfection. There is a softness and authenticity to the city that I find incredibly inspiring. The light, the buildings, old stores, the history, and the slower pace of life have all influenced the way I create and host. Living here has deepened my appreciation for heritage, hospitality, and the art of gathering. It is a city with opulent history but still very intimate and personal, and I think that balance is reflected in my work.
◆ So much of your work revolves around gathering, tablescapes, and atmosphere. What makes a dining experience truly memorable in your eyes?
A cozy and welcoming environment where guests feel genuinely invited and comfortable. Ideally, candlelit with no extra artificial lighting. The guest list and seating arrangement are incredibly important. And conversation starters – whether that is an object on the table, a flower arrangement, or an interesting detail that encourages interaction.
◆ Objects, flowers, fabrics, textures... every detail feels intentional in your projects. How important is sourcing and collecting within your creative process?
It is extremely important. I spend countless hours sourcing the right objects and materials. Sometimes I design and produce new pieces, and other times I search for vintage finds or work with different artisans.
Every detail matters and contributes to the overall feeling of the project. The season, the location, the guest list, and the story behind the event all influence the design and naturally, the materials that are sourced. Creating a cohesive narrative depends on these details, and they are essential for bringing a concept fully to life.
◆ Your work feels deeply rooted in craftsmanship and artisanal savoir-faire. Why is it important for you to collaborate with artisans and smaller makers?
I have huge appreciation and respect for craftsmanship. In a world increasingly driven by mass production and machine-made objects, I believe it is more important than ever to support artisans and makers. I am drawn to the uniqueness of handmade objects. No two pieces are ever exactly the same; there is always a subtle curve, a mark, or an imperfection that makes each one special. Even when people cannot immediately identify it, they feel the difference between handmade and machine-made objects.
I also value the personal relationships that come from working with smaller ateliers. I learn so much about the process and the story behind each piece, and I think that knowledge is important for my clients as well. The people behind these workshops are often deeply passionate about what they create. Passion is one of the qualities I value most, and I love collaborating with people who genuinely care about their craft and are excited to create.
◆ As an Insider, what are some of your favourite places in Lisbon right now?
I am a sucker for the classics. Pinóquio is a restaurant I return to almost weekly. Recently. I really like Coelho da Rocha. For fish, I go to Mercado do Peixe. I also love Garrincha – it reminds me of home. For wine bars, I like Insaciável, but Pinot Bar is my go-to neighbourhood spot. I live just around the corner.
◆ Finally, what's next for you and Estúdio Omer Gilony that people should keep an eye on?
A number of beautiful projects are coming up this summer in incredible locations with inspiring collaborators. Summer is the busiest season for my team and me, and we will be working and travelling almost nonstop. Alongside our commissioned projects, I will be launching a few product and furniture collaborations. We will also begin hosting workshops and open studio days at Estudio, creating opportunities to welcome and connect with our Lisbon community.
