- Insiders Profile -
DJ, co-host at All Styles All Smiles on NTS Radio, music сurator.
Photo credits Mike Pawn
◆ What first drew you to music, and how did your path as a DJ and music curator begin?
My journey into music began long before I ever stepped into a club. I grew up in a home filled with records, thanks to my father a jazz guitarist and double bass player in his youth, who later became a lawyer.
Music and movement shaped me early on through dance and synchronized swimming. While studying Law and French, I juggled two paths right after university: lawyer by day and art director/DJ at Cult Club by night.
In 2006, my friend Julia and I founded Javybz and launched our party All Styles All Smiles, inviting international guests and diving deep into a life centered around music. In 2009 inspired by Love Saves the Day book by Tim Lawrence, we traveled to London, visited our first Loft party with David Mancuso, and met Tim in person. He introduced us to the Deep Frequency Radio founder, marking the beginning of a radio journey that continues to this day.
By 2013, we had joined the NTS Radio family, continuing to explore music as storytelling and connecting with a global community of listeners.
A major turning point came in 2017, when I was invited to curate the RBMA Music Festival. It was a dream project, it gave me the freedom to create my perfect lineup and book some of my favorite artists: Larry Heard, Floating Points, Jamie Tiller, Gigi Masin, Laraaji, Leroy Burgess, Dâm-Funk, Vladimir Ivković to name just a few. In 2022, I began performing solo as Anya, stepping into a new phase of artistic independence.
Today, I perform both solo and as part of Javybz. Through it all, All Styles All Smiles remains my compass — a living archive of memories, stories and music that continues to guide my journey.
◆ If you had to describe your sound or musical style in just three words, what would they be?
I’ll go with four: All Styles All Smiles, which is also the name of our long-running radio show on NTS radio.
◆ Can you share a story behind one of your most unforgettable sets — where was it, and what made it magical?
That’s one of the hardest questions, to be honest. I’ve been DJing since 2006, and there have been so many unforgettable sets, some of them truly life-changing, shaping the path I’m on now. Recently, I’ve felt that magic at festivals like Moga and Kala, as well as during my sets at Lux. I love the energy of big clubs and festivals, but I’m equally drawn to the intimacy and freedom of secret rave spots. I’m really excited to play at Moga, then at Kala Festival as Javybz, and later this year at Dekmantel. Over the past year, I’ve really embraced playing b2b, at this point, about every third set I play is in that format. There’s something uniquely powerful about it. You’re not just connecting with the dancefloor, you’re in constant dialogue with another DJ, sharing intuition, energy, and trust. It’s a challenge, a beautiful kind of improvisation, and I absolutely love it. Some of my favorite b2bs last year were with Tiago at Lux, Dazion at Oxalá in Nazaré and in Romania, and my pro bro Lipelis at one of the final parties at the legendary Lisbon Lounge. There’s a special kind of magic when two energies merge behind the decks — it keeps things fluid, unpredictable, and fully alive.
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◆ You’ve curated playlists for restaurants, hotels, and concept spaces. What’s your approach when pairing sound with a hospitality experience?
I don’t do it that often, mostly for brands I love, museums, art galleries, or businesses run by friends I want to support. One of the special ones was when we (Javybz) curated a playlist for Tate in London.
For me, the most important thing is to feel the context and vibe of the space, to really understand its rhythm. So you can create a soundtrack that fits naturally.
I remember when I had just moved to Lisbon, I visited this cool second-hand store called Arquivos. While browsing, I started recognizing the mixing and track order… and then realized they were playing one of our All Styles All Smiles shows on NTS. I was so surprised and really touched.
It’s still hard to believe how many people around the world are listening to our show. Now I hear it playing here and there and it’s such a magical feeling, knowing you’ve created something that stays with people, something they actually bring into their daily lives, all around the world.
◆ How do you think music shapes the way people feel in a space, whether it’s a café, a bar, or a boutique hotel?
Music is a powerful thing. It can completely shift how we experience space. And it’s not just emotional, it’s biological. Music affects our cortisol levels, even how we feel time passing. So the right soundtrack can literally change your internal state.
It definitely becomes part of a space’s identity. When it’s done with care, music doesn’t just fill the silence — it shapes the atmosphere and helps tell the story. I’m very sensitive to sound. For example, I’m not a fan of dance music in restaurants. Maybe it’s a bit of professional over-sensitivity, but I’m really picky when it comes to sound. Sometimes I even prefer places with no music at all. Silence can have a vibe too.
◆ Could you walk us through your ideal day in Lisbon, from your favorite morning vinyl shop to a go-to dinner or late-night drink spot?
I live in a cozy apartment in my favorite part of Lisbon, just steps away from Gulbenkian Park. So, my ideal day would start with a healthy breakfast at home — something simple with organic veggies and fruits from Do Quintal Farmhouse. After that, I’d head to the Gulbenkian library, which is my go-to spot for focus and inspiration. It's where I like to work and read.
For lunch, I’d meet friends somewhere in the city. One of my all-time favorites is Zaytouna; their Mutabal is the best. If I’m around there, I always pop into the Flur record store.
If I don’t have a gig that evening, I love going out for dinner. My go-to spots include GoJuufor Japanese, Boavista Social Club for whatever new ideas Marc Le Rohellec is exploring (still need to check out his new place called Alfredo – it’s high on my must-go list) and Tati, my little cozy, sacred place. I started going there as a tourist, back when I had no idea Lisbon would become my home. It was always the place I’d take visiting friends. Tati’s co-owner, Ramón, makes everyone feel instantly welcome. Or if the soul calls for tacos, nothing beats Duro de Matar.
I also really enjoy discovering new places to eat, especially the ones recommended by Lisbon Insiders.
That said, my days are never the same, between gigs and projects, life is a bit of a whirlwind. So when I get a day off, I really treasure the simple things: cooking at home, relaxing in the park, or taking a road trip to the Caparica beaches or up to Sintra. I am deeply connected to nature. The more I play, the more I appreciate those slower, grounding moments with my family and friends.
Photo credits: Boavista Social Club
◆ Are there any local venues, artists, or collectives that you think are changing the game in Lisbon’s music scene?
There are so many names I could mention. Everyone who approaches this work with honesty and genuine love for music, from record store owners, DJs, promoters, and musicians to radio founders and club owners — is a vital force shaping Lisbon’s musical universe and pushing the culture forward. I know how much dedication it takes, and I have deep respect for each and every one of them. I’m especially grateful for the warmth and support I received when I first arrived in Lisbon. The Lux team is pure love: Tiago, Rui Vargas, Dexter and the whole crew. Vito and the Boavista Social Club family. Succo Agency, with Erica at the helm. Amor Records, with Thiago. The MOGA Festival team, always such a good vibe. There are so many others, I’m always afraid of leaving someone out — but truly, it’s inspiring to witness how the music scene in this city continues to grow and evolve.
◆ How do you discover new tracks and sounds, any rituals, tools, or sources you swear by?
I have a monthly show on NTS called “All Styles All Smiles with Javybz” — which we’ve been hosting for 12 years now. For each episode, I need around 50–60 new tracks. We never play the same track twice, so the digging never really stops. It keeps me musically fit. Honestly, I can’t imagine my life without Bandcamp. I also receive a lot of promos, love digging in record stores, and often find records on Discogs. What I love most about this process is that it’s a never-ending story. Music is released every single day, it’s like an ocean, and our job is to dive in, find the pearls, and share them with the audience.
◆ What’s one hospitality project in Lisbon you’d love to collaborate with, or one dream concept you’d love to create?
Definitely Gulbenkian Foundation. Also, Waking Life, Sonar Lisboa and MOGA Festival. I miss curating and producing large-scale festivals.
◆ Can you share with us your hidden gem or local hangout?
Estufa Fria — if you ever feel like teleporting to Bali without leaving Lisbon. It’s where something really important in my life began.
Tati Photo credits: Luis Ferraz